In my opinion, no one, with the exception of such authorized individualities as the apostles, whose dialectical position I do not grasp, has been more earnest than the person who clothed his thoughts in the form of jest, and no one has more sympathetically loved his fellow beings, and no one has so deeply admired the divine.
However, we can ask whether the religious life is really any more satisfying than the aesthetic and the ethical lives. The 20th-century theologies that were influenced by Kierkegaard go beyond the tasks of metaphysical affirmation and ethical instruction to a critique of complacent piety.
Such representations were only possible in an aesthetic medium of imagined possibilities like poetry. A stage or sphere of existence, then, is a fundamental project, a form of life, a mode of being-in-the-world that defines success in life by its own distinctive criteria.
Broadly speaking, he seems to think that people should progress through these different modes of life in order to arrive at the religious mode of life which is the best of the three.
These works present the second, specifically Christian, ethics that had been promised as far back as The Concept of Anxiety. No cry is raised as it usually is in the case of treachery and faithlessness.
I wonder whether Henrick Ibsen did not feel a little uncomfortable, when Letters from Hellby Valdemar Adolph Thistedseized the opportunity, and sailed forth in the wake of Brand?
Concluding Unscientific PostscriptHong, pp. Kierkegaard passionately criticized the Christian Church for what he saw as its interference in the personal spiritual quest each true Christian must undertake.
Relief from boredom can only be fleeting. A son is like a mirror in which the father sees himself, and for the son in turn the father is like a mirror in which he sees himself in the time to come.
He would still be found guilty by someone. He is a paragon, and thereby the miracle.
The moral law is absolute. In classical thought, the world kosmos is viewed as a hierarchy of beings whose structure is already fixed apart from human choice. His God requires more than being good, he demands that he seek out an inner commitment to him. Subjectivity is that which the individual—and no one else—has.
What might motivate an aesthete to choose the ethical? In the latter case, wine itself is the means and inspiration to praise not a god, but a concept.
These works fall into three genres: Once in despair, without a complete relation to God one will always be in despair, so to be in this level one understands the permanence of the despair. If the broken engagement was the cloud that hung over the first literary period, the Corsair debacle was the ghost that haunted the second.
He then compares the relationship of the poet, who is in the esthetic stage, to love. Indeed, what is Kierkegaard doing publishing?
He states that it differs from memory. Only a few times did it happen that the father stopped, faced the son with a sorrowful countenance, looked at him and said: Grundtvig, a theologian, educator and poet who composed most of the pieces in the Danish hymn book. Given this assumption, we can see how the deck is stacked against us.
Seducers are fools for making such a fuss about the pursuit. Marriage I regard, then, as the telos [goal] of individual life; it is the highest telos in such a way that anyone who evades it crosses out the whole of earthly life in one single stroke and retains only eternity and spiritual interests He is appalled by all the twaddle he has had to endure from the other speakers.
His sufferings are in the esthetic, despite his religious inclinations. Kierkegaard was immersed in these values in the family home through his father, whose own childhood was lived in the shadow of Herrnhut pietism in Jutland. They possessed mere self-referential thought.
The earnestness of Anti-Climacus is repellent. Him I have kept in the power of spirit in the direction of the religious; her I have kept in esthetic categories. Here the religious opens the infinite abyss of the abstraction He refers to the man and woman of this love affair respectively as Quidam and Qaedam Latin for "someone" in both masculine and feminine forms.
And love is the best adornment for the beloved, but resolution is a power in the heart of him who is imperfect. Notably, Anti-Climacus says one can be in despair even if one feels perfectly happy. Without Divine warrant, we must concede the reality of death and live in that knowledge.Stages on Life's Way (Danish: Stadier på Livets Vej; historical orthography: Stadier paa Livets Vej) is a philosophical work by Søren Kierkegaard written in The book was written as a continuation of Kierkegaard's masterpiece Either/Or.
Kierkegaard proposed that the individual passed through three stages on the way to becoming a true self: the aesthetic, the ethical, and the religious. Each of these “stages on life’s way” represents competing views on life and as such potentially conflicts with one another.
Three Discourses on Imagined Occasions, otherwise known as Thoughts on Crucial Situations, was published concurrently with Stages on Life's Way.
In Stages On Life's Way Kierkegaard posited three stages of life, or spheres of existence: the esthetic, the ethical and the religious. Soren Kierkegaard Three Edifying DiscoursesSwenson translation p. Love does not seek its own. Love does not seek its own, for there are no mine and yours in love.
Three Addresses on Imagined Occasions by S. Kierkegaard (Tre Taler ved tœnkte Leiligheder)-Stages On Life’s Way: Studies by Various Persons, compiled, forwarded to the press, and published by Hilarious Bookbinder (Stadier paa Livets Vej.
Studier af Forskjellige.
Unit 4: Development through the life stages P1 Describe physical, intellectual, emotional and social development for each of the life stages of an individual.
Adolescence Physical Development This is the stage which we move from childhood to adulthood.Download