London is at every moment available for imaginative transformation; so is every object in the natural world. In Innocence, all life is perceived as one and holy. He is wandering through each street and walking near the River Thames--we can picture that, as well. Besides disagreeing with the philosophy and psychology of his own day, Blake criticized traditional religious and aesthetic views.
He would continue to see through and not with the eye, and what he saw he would draw in bold outline as ineluctable truth. At one point in his life, he was accused of speaking against the king Bio.
It is the regenerated person who can perceive both a unity beyond all diversity and a diversity within that unity. The disequilibrium of the psyche, its reduced perception, is the creator of the natural world as it is now known. The fourth stanza alludes to the loss of childhood through the disappearance of the child of the poem and implies that the elemental properties of Innocence remain after the departure of the physical state of childhood.
The metaphysics of Francis Bacon, Isaac Newton, and Locke were despicable because they elevated rationality and denied imagination, thus standing in the way of regeneration.
Los, hero of the imagination, is not a hero who affirms the values of a culture, nor are his strengths and virtues uniformly admired by that culture. Paradisiacal man perceives the majesty of the imagination, the passions, the reason, and the senses.
It has four stanzas, and each stanza consists of four lines of iambic tetrameter. Socially and politically, Blake, unlike Coleridge and William Wordsworth, remained unreconciled to the status quo. Finally, in the last stanza, marriage is depicted as a "hearse," meaning either a funeral bier or a coach that bears away the dead because men have been unfaithful to their wives.
The tiger perceived by the speaker can live only in the dark because both reason and moral hierarchy have relegated it to that realm.
Jesus was a man of revitalized perceptions, and he was fully conscious of his unlimited energies. Each of the contraries has his allotted place in the Fall; each sins either through commission or omission. When the narrator mentions "marks of weakness, marks of woe" on the faces of the people he meets, and when he speaks of "midnight streets," we get a picture in our minds of how these things look.
While the innocent shed tears, the perverted attack them. It is the mixture of energy and boundary that the speaker-perceiver finds disturbing. Tharmas, the zoa of the senses, has, in his paradisiacal form, unrestrained capacity to expand or contract his senses.
This poem particularly condemns the stringent rules of society. Such vision is not bound by the particulars it produces through contraction, nor is it bound by the unity it perceives when it expands. The artist who apprehended with strong imagination drew boldly because the truth was clearly perceived.
The reason why Blake wrote it was because he believed that the human spirit was being suppressed by custom and politics.
The "mind-forged manacles" are the painful thoughts in the minds of the miserable Londoners. He has already criticized society, pointed out the misfortunes of the poor and the hypocrisy of the church, and now he will also criticise the government by suggesting that the soldiers are the poor victims of a corrupt government.
In the fallen state, these senses remain but in an enervated condition. By contrast, Blake reminds us in the poem of privilege, soldiers, and palaces, all of them aspects of oppressive authority. The perceiver in Experience fears the energy of Innocence and therefore shapes it into a form that his reason has deemed frightening—that of a tiger.
And the hapless Soldiers sigh Runs in blood down Palace walls In this stanza, the speaker digs even deeper into the reasons for his feelings toward humanity.William Blake’s poem, “London”, was written in and is a description of a society in which the individuals are trapped, exploited and infected.
Blake starts the poem by describing the economic system and moves to its consequences of the selling of people within a locked system of exploitation. This poem is one of the "Songs of Experience" written by William Blake that contrasts with his "Songs of Innocence." While Songs of Innocence took an optimistic and positive view of life and society, Songs of Experience looked at the darker side.
William points to the corruption within the city of London; this poem is a form of social and political protest against the oppressive landlords and authorities of the city. In the first stanza William Blake talks of wandering through the streets that are privately owned, and states even the river Thames is not free from ownership.
Summary: Analyzes Willam Blake's Poem: London. In "London", William Blake brings to light a city overrun by poverty and hardship. In "London", William Blake brings to light a city overrun by poverty and hardship.
London, which consists of sixteen lines, is not just a description of William Blake’s birthplace but also a detailed poem of how the social status works in London.
The poem is a devastating and concise political analysis delivered with passionate anger. Essay on London by William Blake. Question- Identify a poem that makes a social or political statement. Question- Identify a poem that makes a social or political statement.
Explain what statement is being made and, with close references to the text, analyse the literary conventions used to convey the statements.Download